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If it's New Orleans and the novel's main characters are actually dead for years but remain travelling terrorizing people, it should be an Anne Rice adventure. Nevertheless it isn't--it's the first in a new series starring a fascinating heroine, Seattle parapsychologist Cree Black, whose own murky past and carefully selected presents make her the ideal choice to investigate a haunted house inside Garden District and also the family that's slowly being scared to death. Lila Beauforte has moved back to her ancestral home, now inhabited by ghosts who seem bent on driving her out. Cree, her senses more attuned to the presence of revenants than flesh-and-blood bad guys, shakes enough closets in Beauforte House to create the skeletons out, solve mysteries in the past also because the present, and fall crazy about an equally appealing if more common investigator in the unconscious who may be able to help her free herself from her own emotional prison. She's a smart, vulnerable, and attractive character within an unearthly and unusual thriller that begins a promising new series having a howl and presages an extended run about the bestseller list. --Jane Adams
Hecht's New Age ghost story introduces Cree Black, a psychologist of renown transformed years ago in a hyper-empathic ghostbuster by means of a spectral visit from her beloved husband. Lured from her upscale Seattle offices to a spirit-infested mansion inside heart of decadent New Orleans, she immediately identifies with all the haunted socialite Lila Beauforte. This allows reader Fields to showcase her skills, as Cree's somewhat brusque, unaccented speech subtly shifts right into a quavering southern drawl. The actress also uses a remarkable number of bayou accents to distinguish the opposite New Orleanians-from the great ol' boy gruffness of Lila's worried husband on the cultured, iron magnolia locutions of her aristocratic mother. The novel has its own share of spooky suspense-courtesy of anthropomorphic furniture, disappearing snakes and a pig-faced man-ghost with rape on its mind-and is full of enough scientific rationale to make these sinister shades seem surprisingly credible. But the origin of the ghosts isn't hard to discern, and the many repeat analyses from the case elements will lead restless listeners to agree with Cree's assistant Joyce Wu when she complains (in Fields's amusingly on-target Long Island accent), "The metaphysics he-ah certainly are a complete no-brain-ah, that i'm sick 'a goin' over it and also over it."
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